师资队伍 > 在职教师

高薪

学位:博士
职称:Research Fellow
研究方向:西方艺术史,艺术理论与美学
联系方式:njugaoxin@hotmail.com


2017.08——2018.9 Research Fellow at the United States. 

Cell phone: +1 469 449 8728

Email: xin.gao1@utdallas.edu


Publications

2017  “The Italian Renaissance in China”, Theoretical Studies in Literature and Art, vol. 1, 2017 pp. 200-208;

          《他者的想象——意大利文艺复兴百年接受史》,《文艺理论研究》,2017年第1期,第200-208页。

          “The Intelligence of Images: On The Apparatus-Function of Non-mimetic Elements”, Literature & Art Studies, vol. 7, 2017, pp.38-47.

           《论图像装置性元素的指意潜能》,《文艺研究》,2017年第7期,第38-47页。

          “The Gaze From Object: The Religious Origin of 'Aufmersamkeit'”, Journal of Renmin University of China, vol. 5, 2017, pp.132-140.

           《物的凝视——论审美静观的宗教性起源》,《中国人民大学学报》,2017年第5期,第132-140页。

          “Style as Symptom:Meyer Schapiro's Methodology of Art History”, Art Observation, vol. 6,2017,pp.144-150.

            《作为症状的风格:理解迈耶·夏皮罗的艺术史方法论》,《美术观察》,2017年第6期,第144-150页。

2016   “Objection to Unity, Redundant Meaning, and Semantic Value of Image-sign: Review of Meyer Shapiro’s Theory and Philosophy of Art”, Contemporary Artists, vol.3 and Vol.4, pp.30-34; pp.44-47;

      《反统一、冗余意义与图像-符号意义生产的语法模式》,《当代美术家》,2016年第3期,第30-34页;2016年第4期,第44-47页。

2015   “Schapiro, Semiotics and Iconography”, Theoretical Studies in Literature and Art, Vol. 2, 2015, pp. 180-188.

      《夏皮罗的艺术符号学:在文艺研究符号学范式变革的语境下》,《文艺理论研究》,2015年第2期,第180-188页。

        “Modern Art: The Realization of Democracy or Symbolic Misery?”, Poetry, Calligraphy, Painting, Vol. 4, 2015, pp. 128-132.

        《现代艺术:民主的实现还是感性的贫困?》,《诗书画》,2015年总第18期,第128-132页。

       The Rebirth of Aesthetics in Aesthetic-Computing, Culture Studies, vol.5, 2015, pp.88-91.

        《美学在界面中的复兴——审美计算的兴起》,《文化研究》,2015年第23辑,第88-91页。

2014     “The Culture Politics of Abstract Art”, Journal of Southeast University (Philosophy and Social Science), Vol. 16, No. 2, pp. 113-9.

         《抽象艺术的文化政治》,《东南大学学报·哲学与社会科学版》,2014年第16卷第2期,第113-119页。

          “The Value of Modern Art”, Journal of Southeast University (Philosophy and Social Sciences), Vol. 16, No. 2, pp. 83-92.

          《现代艺术的价值》,《东南大学学报·哲学与社会科学版》,2014年第16卷第2期,第83-92页。

2012    “Prometheus Unbound”, Aesthetics and The Study of Literature and Art, vol. 2012, pp. 213-233.

         《解放了的普罗米修斯》,《文艺美学研究》,2012年卷,第213-233页。

       

Translations

2015   Meyer Schapiro, Worldview in Painting-Art and Society, Selected Papers, Nanjing University Press. (From English to Chinese) Forth coming 

       迈耶·夏皮罗:《绘画中的世界观:艺术与社会》,南京大学出版社

        Louis Marin, To Destroy Painting, Chongqing University Press. (From English to Chinese) Forth Coming

        路易·马林:《摧毁绘画》,重庆大学出版社。

       Jeffrey C Alexander, “The Fate of the Dramatic in Modern Society: Social Theory and the Theatrical Avant-Garde”, Culture Studies, vol.23, 2015.(From English to Chinese)

        杰弗里·C·亚历山大:《戏剧在现代社会的命运:社会理论与戏剧先锋》,《文化研究》,第23辑。

       Mark A. Cheetham, “Abstract Art Past & Present: History, Practice, Issues”, (From English to Chinese); For a Lecture.

       马克·奇瑟姆:《抽象艺术的过去与未来:历史,实践与问题》

        Pierre Macherey, “For a Theory of Literary Reproduction”, (From English to Chinese) Forth coming


Invited lectures and Conference Presentations

2015 16-17/10  Presentation named “The Imagination of Otherness: The Italian Renaissance in China: from 1840-2000”, for the conference The Italian Renaissance and Chinese Receptions, organized by The Harvard University Center for Italian Renaissance Studies (Villa I Tatti). Nanjing.

 27-28/11 Presentation named “Modern Art: The Realization of Democracy or Symbolic Misery?”, for the conference Critical Reading of Western Art Theories, organized by Chinese Association of Literary and Art Theory, Kunming.

 

2014 1-6/10    Presentation named “The Performativity of Poetry: Female Poetry in Contemporary China”, for the conference Performativity and Literature, organized by Royal Academy of Letters, History and Antiquities, Stockolm, Sweden.

 15-17/10    Presentation named “Coats of Arms and the Function of Symbolic Space”徽章与象征性空间的功能for the conference Space in Renaissance Italy, organized by The Harvard University Center for Italian Renaissance Studies (Villa I Tatti). Shanghai.

 

2013 25-30/10    Presentation named “The Culture Politics of Abstract Art”, for the conference International Symposium on Cultural Trajectories: The Dynamics and Counter-dynamics of Cultural Governanceorganized by National Taiwan University of Arts Graduate School of Art Management & Culture Policy, Taiwan.

 

Academic Activities

Space in Renaissance Italy, ITTATI, Harvard University        6/2014-7/2014

?Visiting Students.                                   Florence, Italy.

 

Awards

Excellent Doctoral Dissertation of Nanjing University           03/2016

南京大学优秀博士学位论文

National Award for Distinguished Doctorates               11/2014

博士生国家奖学金

 

Languages

Mandarin Chinese (native speaker), English (read, speak, and Write)



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